Michel Delville, “The European Neo-Avant-Garde,” ENAG Collective Edinburgh: Edinburgh University Press, forthcoming 2021

Marie-Pierre Burquier,  “Faillite de la plénitude hollywoodienne dans les remontages de Martin Arnold Béance du fond, étoilement de la figure,“ in revue Théorème, forthcoming 2021

Martine Beugnet, “Le cinéma et ses doubles. L’image de film à l’ère du foundfootage numérique et des écrans de poche,” inEditions Bord de l'eau (Bordeaux: 2021)

Justin Remes, “Absence in Cinema: The Art of Showing Nothing,” (New York: Columbia University Press, 2020)

Marie-Pierre Burquier, “Le corps animal chez Martin Arnold,” in Marie-Garré Nicoara (ed.), Corps béant, corps morcelé dans les arts scéniques et visuels, in Éditions Modulaires Européennes (Paris: printemps 2018)

Emmanuelle André, "Martin Arnold. Animals, Tamers, and Clowns," in Mousse. Contemporary Art Magazine, Issue# 62 (Milano, February /March 2018)

David Campany, “The Book of Film,” in The Photobook Review no 15, Aperture 2018

Emmanuelle André, "Martin Arnold on Walt Disney: to show per via di levare (by means of subtraction)," in Screen, Volume 58, Issue 2 (Oxford: Oxford University Press, June 2017)

David Bering-Porter, "The automaton in all of us: GIF's, cinemagraphs and the films of Martin Arnold," in The Moving Image Review & Art Journal, vol. 3, no. 2 (Bristol: Intellect, 2015)

James Leo Cahill, “Martin Arnold’s Gross Anatomies,“ in Gross Anatomies (cat.), ed. Martin Janda (Vienna: Verlag für Moderne Kunst, 2015)

Kirsty Bell, “One need not be a chamber to be haunted,“ in Gross Anatomies (cat.), ed. Martin Janda (Vienna: Verlag für Moderne Kunst, 2015)

Angela Stief, "Black Holes. Martin Arnold in conversation with Angela Stief," in Gross Anatomies (cat.), ed. Martin Janda (Vienna: Verlag für Moderne Kunst, 2015)