AUTOMATON

David Bering-Porter, "The automaton in all of us: GIF's, cinemagraphs and the films of Martin Arnold," in The Moving Image Review & Art Journal, vol. 3, no. 2 (Bristol: Intellect, 2015)


ANATOMIES

James Leo Cahill, “Martin Arnold’s Gross Anatomies,“ in Gross Anatomies (cat.), ed. Martin Janda (Vienna: Verlag für Moderne Kunst, 2015)


A CHAMBER

Kirsty Bell, “One need not be a chamber to be haunted,“ in Gross Anatomies (cat.), ed. Martin Janda (Vienna: Verlag für Moderne Kunst, 2015)


HOLES

Angela Stief, " Black Holes. Martin Arnold in conversation with Angela Stief," in Gross Anatomies (cat.), ed. Martin Janda (Vienna: Verlag für Moderne Kunst, 2015)


HASARD

Éric Thouvenel and Carole Contant, “Du principe de hasard, et du fun, entretien avec Martin Arnold,” in Fabriques du cinéma expérimental, Paris Expérimental coll. „Classiques de l‘avant-garde“ (Paris, 2014)


OBSESSION

Angela Stief, “Salon der Obsession. Eine Wiener Herrenrunde. Angela Stief im Gespräch mit Martin Arnold, Bela Borsodi, Thomas Draschan, Hans-Jürgen Hauptmann und Klaus Spiess,” in Kunstforum International, vol. 225 (Berlin, March/April 2014) 


L' IMAGE

Emmanuelle André, “L’image me touche,” in Que peut un image? Le Carnets du BAL, no. 4, ed. Dirk Zabunyan (Paris: LeBAL/Textuel, 2014) 


A GASH

George Toles, “A Gash in the Portrait: Martin Arnold’s Deanimated,” in The Oxford Handbook of Sound and Image in Digital Media, eds. Carol Vernallis, Amy Herzog and John Richardson (New York: Oxford University Press, 2013)


CINEMNESIS

Akira Mizuta Lippit, “EXC03 Cinemnesis: Martin Arnold’s Memory Apparatus,” in Ex-Cinema. From A Theory of Experimental Film and Video (Berkeley/Los Angeles/Oxford: University of California Press, 2012)


GESTURES

Akira Mizuta Lippit, “EXC07 Digesture: Gestures without Bodies,” in Ex-Cinema. From A Theory of Experimental Film and Video (Berkeley/Los Angeles/Oxford: University of California Press, 2012)


XXXX

Akira Mizuta Lippit, “EXC10 xxxxMA,” in Ex-Cinema. From A Theory of Experimental Film and Video (Berkeley/Los Angeles/Oxford: University of California Press, 2012)


IN ACTION

Martin Kanuch, “Arnold in Action,” in fotograf. magazine of photography and visual culture, no. 19 (Prague, 2012)


REANIMATOR

Steve Anker, “Reanimator, Stutterer, Eraser. Martin Arnold and the Ghosts of Cinema,” in Film Unframed. A History of Austrian Avant-Garde Cinema, ed. Peter Tscherkassky (Vienna: Synema Verlag, 2012)


L' HYSTÉRIE

Emmanuelle André, “L’hystérie, l’image, le cinéma,” in Le choc du sujet. De l’hystérie au cinéma (XIX - XXI siècle), coll. Le Spectaculaire cinéma (Presses Universitaires de Rennes, 2011)

CINEPHILIC

Erika Balsom, “A Cinephilic Avant-Garde: the Films of Peter Tscherkassky, Martin Arnold, and Gustav Deutsch,” in New Austrian Film, eds. Robert von Dassanowsky and Oliver C. Speck (Oxford: Berghahn, 2011)
 

MARTIN

Guilliaume Désanges, “Martin Arnold,” in DITS, no. 15 (Boussu: Musée des Arts Contemporains de la Communauté française de Belgique, Fall-Winter 2010)


THE LOOP

Silvio Belloi and Michel Delville, “Understanding the Loop: Gertrude Stein, Martin Arnold,” in Hidden Agendas, Unreported Poetics, ed. Louis Armand (Prague: Litteraria Pragensia Books, 2010)


VINETOU

Martin Mazanec, “Vinetou = Arnulf Rainer,” in Cinepur, no. 68, interview (Prague, March 2010)


PROFIL

Martin Blažíček, “Profil Martin Arnold,” in Cinepur, no. 68 (March 2010)


DU VUE

Jonathan Thonon, “À perte de vue. Les archives cinématographiques à l‘épreuve de la disparition,” in MethIS. Pratiques du document, no. 2 (Liège, 2009)


CORPS

Jonathan Thonon, “Les impermanences du ‘corps filmique’. Pathologies et blessures de l‘image dans la pratique contemporaine du found footage,” in Penser la création audiovisuelle – cinéma, télévision, multimédia, eds. Emmanuelle André, François Jost, Jean-Luc Lioult and Guillaume Soulez (Aix-en-Provence: Publications de l‘Université de Provence, 2009)


AROUSAL

George Toles, “A few Moments of Arousal in a Film by Martin Arnold,” in Exile Cinema – Filmmakers at Work Beyond -Hollywood, ed. Michael Atkinson (Albany: State University of New York Press, 2008)


DIGESTURE

Akira Mizuta Lippit, “Digesture: Gesture and Inscription in Experimental Cinema,” in Migrations of Gesture, eds. Carrie Noland and Sally Ann Ness (Minneapolis/London: University of Minnesota Press, 2008)


FORT

Florian Huber, “Martin Arnold und die Fortschreibung der Avantgarden,” in Bildsatz. Texte zur Bildenden Kunst, eds. Franz Josef Czernin and Martin Janda (Köln: Dumont Verlag, 2008)


AFTERWARDS?

James Leo Cahill, “…and afterwards? Martin Arnold’s - Phantom Cinema,” in Spectator. Deaths of Cinema, special issue, no. 27 (Los Angeles, Summer 2007)


CINESEIZURE

James Leo Cahill, “The Cineseizure,” in Martin Arnold: The Cineseizure (Vienna: Index; Paris: Re/Voir, 2006)


A KILLINGBIRD

Daniel Herbert, “To Mock a Killingbird: Passage à l’Acte and the Dissymmetries of Cultural Exchange,” in Millenium Film Journal, no. 45/46 (New York, Fall 2006)


THE FUTURE

Zsuzsa Baross, “The Future of the Past: The Cinema,” in Angelaki. Journal of Theoretical Humanities, vol. 11, no. 1 (London: Routledge Press, 2006)

EFFECTS

Michele Pierson, “Special Effects in Martin Arnold’s and Peter Tscherkassky’s Cinema of Mind,” in Discourse, vol. 28, no. 2 – 3 (Detroit: Wayne State University Press, Fall 2006)


GESPENSTER

Wolfgang Pircher, “Hollywoods Gespenster – Martin Arnolds filmische Dekonstruktionsarbeit,” in Film Denken, eds. Brigitte Mayr, Ludwig Nagl and Eva Waniek (Vienna: Synema, 2005)


EN SOUVENIR

Emmanuelle André, “En souvenir du professeur Charcot – La démontage hystérique de Martin Arnold,” in Trafic, no. 49 (Paris, Spring 2004)


CONVERSATION

Laura Mulvey, “Deanimated. Laura Mulvey in conversation with Martin Arnold,” in Fact Annual, 2003 (Liverpool: Fact, 2004)


FICTIONS

Éric Thouvenel, “Found Footage, fictions plastiques,” in Cinergon. Prismes – Le cinéma par lui-même, no. 16 (Lézignan-Corbières, 2003)


AU MUSÉE

Patrick Traven, “Le cinéma au musée: le cinéma médusé!” in Balthazar, no. 6 (Paris, Fall 2003)


ARNOLD

Akira Mizuta Lippit, “Martin Arnold,” in Future Cinema - The Cinematic Imaginary - after Film, eds. Jeffrey Shaw and Peter Weibel (Karlsruhe/Cambridge: ZKM/MIT Press, 2003)


DÉSERTE

Stéphane Delorme, “Le cinéma déserté de Martin Arnold,” in Cahiers du Cinéma, no. 574 (Paris)
 

BEYOND

Thomas Miessgang, “Jenseits der Wörter / Beyond the Words,” in Martin Arnold: Deanimated (cat.) (Vienna/New York: Springer Verlag, 2002)


MA/MA

Akira Mizuta Lippit, “----MA / ----MA,” in Martin Arnold: Deanimated (cat.) (Vienna/New York: Springer Verlag 2002)


DASEIN

Wolfgang Pircher, “Vom Dasein des Verschwundenen / On the Presence of the Vanished,” in Martin Arnold: Deanimated (cat.) (Vienna/New York: Springer Verlag 2002)


D'EMPLOI

Stéphane Delorme, “Found footage, mode d’emploi,” in Cahiers du Cinéma, special issue, no. 25 (Paris, May 2000)


DU LUXE

Eva Waniek, “Le cinéma et le corps: un art du luxe,” in Florilège Scratch, eds. Yann Beauvais and Jean - Damien Collin (Paris: Scratch, 1999)


SCRATCHER

Jacques Kermabon, “Martin Arnold. Scratcher Hollywood,” in Bref. Le magazine du court métrage, no. 40 (Paris, 1999)


INTERVIEW

Scott MacDonald, “Martin Arnold,” in A Critical Cinema: Interviews with Independent Filmmakers (Berkeley/Los Angeles/London: University of California Press, 1998)

MEMORY

Akira Mizuta Lippit, “Martin Arnold’s Memory Machine,” in Afterimage. The Journal of Media Arts and Cultural Criticism, vol. 24, no. 6 (Rochester, 1997)


MOUVEMENT

Scott MacDonald, “Martin Arnold”, in L’art du mouvement. Collection cinématographique du Musée nationale d’art moderne 1919 – 1996 (cat.), ed. Jean - Michael Bohours (Paris: Centre Georges Pompidou, 1996)


AUTRICHIENNE

Peter Tscherkassky, “Brève histoire du cinéma d’avant-garde autrichien,” in L’avant--garde autrichienne au cinéma 1955 – 1993 (Paris: Centre Georges Pompidou, 1996)


BEGEGNUNG

Maureen C. Turim, “Eine Begegnung mit dem Bild. Martin Arnolds ‘pièce touchée’,” in Avantgardefilm. Österreich. 1950 bis heute, eds. Alexander Horwath, Lisl Ponger and Gottfried Schlemmer (Vienna: Verlag Wespennest, 1995)


INSCRIPTION

Scott MacDonald, “Sp.. Sp.. Spaces of Inscription. Scott MacDonald im Gespräch mit Martin Arnold,” in Avantgardefilm Österreich. 1950 bis heute, eds. Alexander Horwath,  Lisl Ponger and Gottfried Schlemmer (Vienna: Verlag Wespennest, 1995)


FUNDSTÜCKE

Claus Philipp, “Tanz mit Fundstücken. Martin Arnold und seine Filme,” in Gegenschuß, ed. Peter Illetschko (Vienna: Verlag Wespennest, 1995)


SP.. SPACES

Scott MacDonald, “Sp.. Sp.. Spaces of Inscription: An interview with Martin Arnold,” in Film Quaterly, vol. 48, no. 1 (Oakland, 1994)


THE LIGHT

Peter Tscherkassky, “The Light of Peripherie. A brief history of Austrian Avant-Garde Cinema,” in Austrian Avant - Garde Cinema 1955 – 1993 (cat.) (Vienna, 1994)


L' ESPACE

Gabriele Jutz, “Pièce touchée ou l’espace filmique réécrit,” in Sémiotiques, no. 4 (Paris: June 1993)


METAL BEAT

Stefan Grissemann, “Metal Beat. Methoden der Verstümmelung und Neuordnung in Martin Arnolds Film ‘Passage á l’Acte’,” in Blimp. Zeitschrift für Film, no. 22/23 (Graz, 1993)


ANALOGIEN

Peter Tscherkassky, “Die Analogien der Avantgarde,” in Found Footage Film, eds. Cecilia Hausheer and Christoph Settele (Luzern: Viper/zyklop Verlag, 1992)